Middle Grade Fiction- Fun or Functional?

As I've been writing the "Currently Untitled but Previously Referred to Story- Edge", I've been researching middle grade fiction and reading a good deal of it too. As a parent, I feel it's important to have my characters evolve for the better, to learn lessons and do what good children should. But, will that appeal to my readers?

Image courtesy of stockimages at FreeDigitalPhotos.net

Middle Grade fiction is characterized by younger protagonists (they are geared toward 7-12 year olds, thus the heroes need to be someone they can relate to), and typically, the themes revolve around the how the character fits into their world. Often, the stories are somewhat shorter in length, in the 45-50,000 word range  but I find that this is not a hard and fast rule. I've read many stories that are just as long as a typical novel and some of the books in the MG section are pretty darn thick! But, does there need to be a moral to the story built into the theme? Can there be a good MG story that doesn't teach the reader something?

Of course, there are cartoons that seem completely void of life lessons. Though it cracks me up, Spongebob Squarepants is one that comes to mind. The oddities of daily life are entertaining but not built to teach the observer anything. Basically, they're like junk food for the brain.

Image courtesy of Grant Cochrane at FreeDigitalPhotos.net

Then there's the cartoons like Thundercats (I'm old) and even some of the newer versions of My Little Ponies, or the Carebears, that though they entertain, there's an element of good over evil or right v. wrong involved and the characters learn lessons though the hardships they face. In the Ben 10 cartoons, Ben fights aliens and saves the earth but also learns about relationships, loves and idolizes his Grandfather, and constantly struggles with his arrogance. Both types are popular with kids, but with the parents, are they equal? Not in my house. Some "junk food" shows are banned because the themes are more destructive than entertaining and teach my kids to call each other rude (though perceived as hilarious) names, and laugh uproariously at disgusting things like boogers, farts, and poop. (not that I can't appreciate the humor, but you know, sometimes we have to go into public.)

The "MOM" in me knows that it's better to have my characters face challenges, make choices, and survive the consequences so that over time they become better, more confident, considerate, empathetic people. Can I do that without getting on a pulpit? Can I accomplish an entertaining story that feels good to kids and parents alike? There's a fine line between lassoing the human condition, our need to be accepted, loved, and trusted, and preaching these ideals like I do in real life, when I feel my kids are veering off course. After all, I don't always want to be the person wagging my finger and looking over the rim of my glasses.

There is a way to do this. If we focus on the story and the story is something universally true, then we add a hero we can relate to- imperfect but who answers the call for adventure, and we make their journey a difficult one but one that ultimately causes them to learn something about themselves and the world, we can entertain our readers and sneak in a life lesson to boot. It's not impossible, but it's not easy either. But whoever said that being a writer was?

The next thing I'm wondering about....does it have to be a "Hollywood Ending?"

Image courtesy of porbital at FreeDigitalPhotos.net

Editing is a Nightmare!

There comes a time in every new author's life when they reach a momentous occasion. It's a happy day. A day to celebrate annually, a great big deal:  the day they finish their first rough draft. But after the initial shock of the accomplishment wears off, reality hits. Not to burst my own bubble here, but there's still a lot more work to do.

Having finished my own first draft before the end of 2012, I first had to lock myself away like a werewolf for the suggested 4-6 weeks to let the details of the book leave the forefront of my mind. Being slightly obsessive in nature, this was only minimally successful. Continually, I thought about the book. I had to tighten the finger cuffs to prevent myself from digging in early and mentally, I had already begun battering it down to the point where I was ready to toss the whole thing into the recycling bin. (Yes, even when we are being dramatic, we must remain environmentally conscious.) Had it not been for a fellow writer reading my rough draft and convincing me that it was worth fixing, I'd be 70,000 words in the hole!


And now, after waiting for the requisite time frame, I have begun editing. But since I don't know what works well for me, I'm trying all kinds of approaches. I've been told to read it through, make notes, then go back and start fixing it with small stuff first. That didn't really work for me. Parts of the book are too slow, and the issues that I want to fix are too big that it was distracting. I have this wee devil sitting on my shoulder telling me how it's no use to read it, because my time is spent better fixing it. I hate that little thing.

Then I began writing over the original with the new "voice"I thought it needed. It didn't take long before I realized that I was writing a whole other book at which point I had to stop writing (with like 5 versions of the story saved with various points stirred around) and think. Think. Think. Think. And start reading it again. And think. Think. Think some more. For days now, I've been thinking, pondering, reading other books in my genre, and then thinking until my thinker is all thunked out.

Is the original so bad? No. Really it's not. It can't stand on it's own yet, but it's not a total wash.

Is the rewrite better? Not exactly, it's just different.

So what then? Meld them together? Perhaps. That's still not it though.

At this point, and this is still early in the very cumbersome and awkward process of editing my first rough draft. I have opened a blank document and am compiling the bits that I like of each and gluing them together with new ideas. I'm not exactly sure where that leaves me.

The original was a good start but there's a better book in there.

I think that we just have to do what is right for us. You can get advice from every angle, read tutorials and how-to books about the craft, you can seek feedback from others, but at the end of the day, WE are the ones writing. WE get to make the choices what twists and turns the story takes, WE get to choose what does and doesn't make it through the final edits and trusting your gut is sometimes what you have to do. (As long as your "gut" isn't making choices based upon laziness or self-loathing)

We live and we learn from the process, and much like I will have to watch my children learn their own lessons, you will all have to watch me crash and burn if I must- but I WILL finish it...eventually.

So put on your flame retardant pajamas because it's going to be a late night.

Verisimilitude. What does that even mean?

This isn’t one of those 'word-a-day' calendars, and yet here I am throwing out words I’ve never used but plan to…in three…two…one--

Verisimilitude is the word that I’ve been avoiding in my writing…well not the use of it, but the effect of it. It’s believability, the appearance of truth, and it’s really getting under my skin.

Confession time. I’m not a very patient person. (Ok, whew, glad that’s off my chest.)One of the great things about writing fiction is that you can create worlds and if you write it, it happens. Right? Well, sort of. You can write about flying gorillas and worlds that exist inside of peanuts, but if you do like me and rush right into the thick of things without doing some research somewhere along the way, you’ll find yourself in a great big mess.

This is something that I’m learning as I type this.

I hear that J.K. Rowling had boxes of notebooks where she evolved her world on paper. Boxes?! And guess what? People of all ages love her story. They can’t get enough. Was it worth the plotting and planning? Absolutely. Is it totally necessary to create a good story? I don't know that we need dozens of notebooks full, but I’m realizing that without some research, we don’t know our world as well as we should to make it believable, and that is what engages readers…unless I want to write about a slightly nutty mother of three that lives in the Midwest. Interested? I didn't think so.

It will be a lesson in patience but it must be done.

It frustrates me to be in the mode to write yet sit down to the computer and scratch out meager tidbits about setting, characters, you know, the things that make a story fun? I want the entree- no potatoes, no parsley, just get to the story. Words on paper. Yet that’s not enough and I, like everyone else, must take the time and appreciate all parts of writing, even the slow ones that make us feel like we wasted our day doing nothing at all.

Verisimilitude. Research it. Own it. Make people believe (at least temporarily) that it could really happen. 

What's in a Name? How Do You Name Your Characters?

YA Highway's Road Trip Wednesday #161, What's in a name?

Road Trip Wednesday is a ‘Blog Carnival,’ where YA Highway's contributors post a weekly writing- or reading-related question that begs to be answered. In the comments, you can hop from destination to destination and get everybody's unique take on the topic.

We'd love for you to participate! Just answer the prompt on your own blog and leave a link - or, if you prefer, you can include your answer in the comments.

This Week's Topic is: The list of top baby names in 2012 had us talking about naming characters. How do you decide on names? Would you ever name a character after a friend/family member/ex?

When I began writing shorts and intro's to novels, I would always use the names of family and friends. My heart was in the right place, I thought, When this book becomes a world-wide best seller, [blank] will feel so loved because they are a character in my awesome story. And I tried it. I named characters after people I love, my kids, my friends, my family....but after trying this for many, many times, I realized that I had to break free of it.  The reason? Because it's limiting.

Primarily, this is because I find that if I name a character for someone I know, that character begins to act as the person I know would. Perhaps this is fine IF the character's nature is similar to the real counterpart, but often, I am melding various characteristics of many people or creating someone that I've never met and therefore, it becomes hard to keep the fictional person acting in tune when they hold the namesake of someone I know. So...sorry everyone, I love you but you'll have to settle for being in the credits and dedications.

Instead, I have used various methods. For main characters, I usually know their names as I am thinking about the concept for the story. They're as integral to the story line as the plot elements are. In my post-apocalyptic dystopian fantasy (unofficially referred to as "The Paragon", I chose the name "West Lambert" for the lead. Now, it is true that her last name is also the name of the airport in St. Louis and since I'm from Missouri that was a little bit of love for the Midwest, however, it has very little bearing on the story. West, however, does. The name invokes something a bit androgynous and strong. West is far from girly. She's brave and ready to blow where the wind takes her and for all her faults, she's a wise soul. It seemed fitting for her.

Some names, such as Laura "Lula" Fontaine, the character from my middle-grade fantasy novel, which I'm now calling "The Girl Who Lost Her Imagination and How She Came to Find It", had the right mix of somber and whimsy to make the plot elements work together. 

Sometimes it's trial and error- some of the supporting roles have names I change half-way through the rough draft, just to see how I like them when they're in use. For example, in "The Paragon," I changed Bastian's name from Benjamin about 20 pages in. I just got sick of writing it and it didn't feel right, so I switched it up. I have also looked up names from various eras and cultures and would consult a baby name website if I just needed a way to get the ideas flowing.

Naming characters is fun though. Once they have a name, they come to life. There's a lot in a name and if affects their personality, their actions, and the way other characters relate to them...just like in real life. 

If you want to share your process, tell us about it- create a post on your blog and post a link in the comments or, share what you decided to name your child and why...perhaps it was a family namesake, perhaps you liked the meaning? It's all creative wordplay and I love hearing from you!

My Rough Draft is Crappier Than Yours!

So you get to the end of your rough draft! Yay! Congratulations! Sure, it's rough- I wonder if that's how it got its name...yes. It is because rough drafts are supposed to stink like last month's dirty diapers. Thank goodness mine doesn't disappoint.

Okay fine. So maybe I'm being overly critical (or dare I say it...dramatic?!) but I haven't been able to take my eyes off of it since I completed it and since it's been hard to concentrate on anything else (see date of last blog post for confirmation), and the more I look at it the more I feel like taking a red pen and marking out every. single. word.

Then I "talk" to my Facebook writer's group- a collection of people from whom I receive a huge amount of support (which is something fantastic indeed since a lot of online writer's groups post a lot of self-promotion and not a lot of writer-to-writer talk)- and I read about what to do next, and I'm told by anyone who has walked this path to step away from it for a good long while- 4 to 6 weeks to be exact- which may seem like a small task, even a blessing, but when you are wholly vested in the 60,000+ words of your story and you have a date in mind when you want to see it on your shelf (summer 2013), you don't have time to dilly dally with letting your story marinate and your eyes see it fresh. Fresh. I can look at it with fresh eyes after only 4 days- just watch me. Oh wait, go back to previous text...It stinks. Mark out every word. Start all over again.

Seriously, people, at this point, I've totally rewritten about 2,000 words with a totally new voice, a new story line in mind, and you guessed it- a new working title. Know another way to describe this...yeah- writing a NEW BOOK. I don't know if that is covered under the guise of editing but I'm about to find out.

If you clicked on this post hoping to get a tidbit of advice from an old pro- back up in your browser and try the next article- this girl is as green as green bowl full of green peas in the green grass covered in moldy green mint cookies. Green, green, green. However, if you clicked on this hoping to commiserate, laugh at a completely disillusioned writer, or perhaps feel a little better that you only want to mark out every. other. word, then let's hug and have a good laugh because that's what I'm here for.

If you think that this is a sign of me giving up. Forget it. Not happening. If you think that this is the sign of me reading any and everything regarding editing, rewriting, and bugging every person I know that has published a book for sage-like advice, then ding-ding! you're totally on target. (And no, I am not feeling aggressive, just passionately convincing myself that failure is not an option.)

Get your red pens ready...in 4 to 6 weeks.

Uh-huh- I've cartooned myself editing without a shirt on. I work from home, aren't you glad?

Cherry On Top Tales #3: Bad Career Day

Photo Courtesy of my friend, Rachael Garneau

Bad Career Day

Lorelei lived in the shadows like everyone else, but for some reason, she never fit in. 

She tried and tried, but whether she wore her black outfit with white accents or her white outfit with black accents, you could always pick her out in a crowd.

Aside from making her terribly uncomfortable, it never mattered much, until the day they went to war with the Nighttime. And then, she realized, she should have chosen a different profession.

I WON NaNoWriMo 2012! Now What?...

I can't believe it. After 30 days of writing abandon, we made it through. A relatively small number of us won the challenge and wrote a jaw-dropping 50,000 words during the month of November. Pat yourself on the back, raise a toast, eat a whole chocolate cake by yourself- what ever it takes to make you feel the weight of this accomplishment. That's a lot of work, people. It's 150 pages in a paperback novel- it's 100 times the length of the average college freshman English paper, and it required a daily commitment to put writing at the top of the list. Really. Wow.

But now what?!

You know you love my little naked stick person sitting at her 2D laptop. Hush!

Now we have ourselves 50,000 words (or more- you overachievers) but where do we go from here? Most of us are only half way up the ladder at this point. 50,000 words, although a trial to produce in a month's time, is not quite what most consider a full-length novel. But it's close! In the book Scene and Structure by Jack Bickham he states that the average novel is between 60-90,000 words finished to meet both minimum standards of most readers and maximum costs for publishing- though I'd wager those figures aren't set in stone...you're losing us A.B....

Ok, sorry- so what do you do now? The point of the previous paragraph was to let you know that if you're not quite done with your novel, then you're probably right on track. If you are done- well, that's fine too because next is....

That's right, ol' buddy ol' pal, when you finally get to "The End" you'll have to start over again at "Once Upon a Time" and rewrite your baby from start to finish again. This part is often dreaded, but I'm looking forward to it....perhaps I'm nuts. But I've gotten a lot of inspiration from fellow writers including Veronica Roth, Liz Schulte that are super first draft cheerleaders. "Just get it on paper," they say, "then fix it!" And I'm looking forward to fixing this one, because let me tell you- it's a MESS! 

I changed characters'  and places names half-way through, wrote scenes out of order, and flat out skipped portions that I didn't fully realize yet in favor of those that I did- all in a mad dash to scrape out my 50K- which worked, so I have no hard feelings but the re-read may just leave me scratching my head on where to begin. But for that, I have help- authors that have come before me and detailed their struggles and their tried and true ways to attack that monstrous first draft and make it a lovely best seller.

So, for those of you that have post-NaNo letdown and lots of free time now that you have cleared your calendar and created for yourself some mighty fine daily writing habits- enjoy a few days of free time, reconnect with your loved ones, feed your pets (actually, you should have done that the whole month, I forgot to tell you), or even write to fill that aching void, but come back. 

We can't just leave seedling masterpieces to rot in the dungeon, freeze in the rain, or collect dust like an old relic. They still need babying and lots of love to get where they want to be, CAN BE, and WILL BE-- on our book shelf in hardback!

Lots of writing love, A.B. Harms